He was a child. He was dead.
He was the shaft of a long-tailed astrapia. He was a forest
of bruise. He wore a door on his face.
He wore the black suit
of his wedding. The square pocket
was still full of his vows.
He was light to carry,
his burdens and vows had bled out of him.
He was heavy
with the responsibility of the dead.
What sort of a son
leaves his father
chained to fatherhood?
I lifted and propped him up with my frame.
I measured the length of him with my length.
The feet stuck in sea sand, his weak knees,
his arms gripped my sides.
As the currents rose, the collar on his broken neck
flared into a float.
The gash the surgeon’s knife left on his head
became a halo, it signaled in the dark.
I put my nose to his nose.
I put my finger in his mouth.
I tied his IV tubes, now a human gill, around our waists
and swam in the vein
of the water.
“Look,” a sphinx in the waves said,
“A son carries a father.”
Death is not silence.
It is where I hear you most clearly.
What sort of a son
leaves his father’s body
chained to the dark grievance inside the earth?
I carried my father on my back.
I felt the bracing inside his afterlife heart
on the skin of my spine.
He wore his face as a door
he promised to open to me.
He bled
out his vows.
Gbenga Adesina, “I Carried My Father Across the Sea,” from Death Does Not End at the Sea. University of Nebraska Press, 2025. Griffin Poetry Prize 2026 Finalist. Used with permission from The Griffin Trust For Excellence In Poetry.